Part two of Kristen Lamb’s fabulous advice on DEEP POV.
Last time we talked about the history and evolution of POV (Point of View) and why certain types of POV might not be the best choice for a modern reader. We also talked about what is often called “deep POV” which, until I looked it up one day? I thought was just tight writing. Who knew it had a name?
Today we’re going to dive deeper into deep POV.
Yes, there are style changes we can make, like removing as many tags as we can and ditching extraneous sensing and thinking words. But deep POV is strongly tethered to characterization. Good characterization. Before we get to that, let’s talk about what we often do when we’re new.
The Fishy Flashback
When we’re new writers, we often don’t understand plotting. We don’t yet have the skill set…
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